Mostafa Mahdavi Ara
Mostafa Mahdavi Ara; Hossein Shareh
Abstract
Extended Abstract
1. Introduction
Psychoanalytic criticism, as a link between the two disciplines of psychology and literature, strives to assay literary works from its point of view and provide answers to such questions as how a literary work can depict the characteristics and (personality) traits ...
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Extended Abstract
1. Introduction
Psychoanalytic criticism, as a link between the two disciplines of psychology and literature, strives to assay literary works from its point of view and provide answers to such questions as how a literary work can depict the characteristics and (personality) traits of its creator. Sigmund Freud and adherents to his school of thought believe that literary works and works of art are mental and psychological documentations of artists' characters and, through them, one can deeply analyze a scholar and his psychological status, revealing his mental illnesses.
2. Theoretical Framework
Severe depression is a neurotic phenomenon and a prevalent emotional illness which causes one not to enjoy life. In fact, the depressed person is inflicted with a type of despair which negatively affects his social and personal relations. People suffering from this illness usually feel depressed, unhappy and bored. They are pessimistic and feel hopeless about the future. They might even talk of committing suicide and report physical complaints, sleep disorders, nightmares, feebleness, exhaustion, and infirmity. They feel desolate, isolated and are self-contained. Recently, psychiatrists have been able to identify psychological and personality disorders through questionnaires such as beck and MMPI-2 tests. A high score in such tests is indicative of the mentioned disorder in the person. Since scholars occasionally show such sings in their works, their works can be analyzed in line with these questionnaires.
The literature regarding such studies dates back to nearly a century ago. For instance, Ghobadi and Houshangi (2009) critically investigated the character of Zal in Ferdowsi's Shahname based on Alfred Adler's psychological theory. In their study, Payandeh, Sanati and Farhadpour (2003) mentioned that psychoanalysis and literature have a two-way relationship and touch on one another. Nazeri and Seddighi (2011) performed a psychological analysis of the concepts of "fairy" and "love" in the poems of Khalil Hawi and Hashemi (2009) offered a psychological interpretation of Muhammad Iqbal's poems. Among the studies undertaken on the works of Abdullah al-Baradouni, "The artistic picture of Abdullah al-Baradouni" by Valid Mashouh can be named where aspects of al-Baradouni's literary creation and his poetic imagery as a blind poet are discussed. "Irony in the poems of Abdullah al-Baradouni" by Musaed bin Sad Zobiani is another work in which the author addresses the humorous language of the poet in expressing issues. The present study is different from the previous ones as the poems of this poet have never been studied from a psychological perspective and, unequivocally, such studies can help researchers better understand the poet's literature.
3. Methodology
The present research aims to study the poems of the blind, contemporary Yemeni poet, Abdullah al-Baradouni, which add up to three volumes, in a descriptive-analytical way, using MMPI-2 test. This test was first introduced by Starke Hathaway and Charles McKinley and can identify disorders such as psycho-social deviations, mental weaknesses, hypochondria, hysteria, paranoia, schizophrenia and etc. In the present study, the six factors of MMPI-2 were identified as: a) feeling of sadness and melancholy and fatigue of life b) despair and hopelessness, c) fear and anxiety d) pessimism about oneself, life and society d) distress and insomnia e) thinking about death and suicide. Through conforming the poems of this poet to these factors, we aim to answer the main research questions: a) based on MMPI-2 test, has Abdullah al-Baradouni been afflicted with clinical depression b) if yes, what elements have led to the outbreak of this phenomenon in the poet?
4. Findings
The findings of the study can be reviewed from both structural and contextual perspectives. Based on the factors of the test, all the symptoms of depression were deducted from al-Baradouni's poems. Terms such as "depression", "sorrow", "sadness", and "ordeal", etc., all of which convey negative meanings, are used with a high frequency in his works. The prosody of the poems is in congruity with the poet's mental state. The phones of the terms used in the poems are inspired by the poet's melancholy and sorrow. From a contextual perspective, the majority of the contents of his poems signify the poet's melancholy, exhaustion and hopelessness.
5. Conclusion
The findings of the study were analyzed based on the views of such psychologists as Sadock, Koraz, Maurer, and Maddal, Leahy and Bolat and it was found that the feelings of sorrow and sadness, despair and hopelessness, fear and anxiety, pessimism, thinking about death and insomnia and distress in the poet were higher than the normal threshold defined in MMPI-2 test, indicating a severe depression. Factors such as blindness, destitution and poverty, emotional relationship with mother and her untimely death along with the unwanted birth of the poet have all been major influential factors contributing to his affliction with this psychological disorder.
In the end, it is suggested that future researches analyze Abdullah al-Baradouni's poems from an existentialism perspective, illustrating, in three levels, his relationship with himself, nature and others.
Abstract
Despite the various researches done in the field of the implication of colours, the studies related to the meaning of colours in blind poets’ works are almost rare. This is why this paper aims to deal with the implication of colours in the blind Abbasid poet Bashar Ibn Burd’s poetry. The paper studies ...
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Despite the various researches done in the field of the implication of colours, the studies related to the meaning of colours in blind poets’ works are almost rare. This is why this paper aims to deal with the implication of colours in the blind Abbasid poet Bashar Ibn Burd’s poetry. The paper studies the role of memory as well as of senses- other than vision- in Bashar’s poetic function and the differences between his attitudes and non-blinds’ viewpoints. To show the different aspects of symbolic appearance of colours in Bashar’s poetry ,this paper uses a descriptive-analytical method. The first section describes the position colours have in various sides of life and specially as they mean in the mentality of the blind. The second section studies the implications of different colours in Bashar’s mind and poetry.
